Horror Marathon Day 12: American Werewolf in London


American Werewolf in London
I thought I saw this film years ago, but after watching it I realized I have NEVER seen this movie!  What the heck!  It’s a classic for a reason, and the special effects were revolutionary for the time.  Brilliant stuff. The dream sequences are all amazing and for me it;s those moments that sell the movie.  The love story is fine, but I’m not that into it.  There’s some great comedic bits as well, which I wasn’t expecting in this film.

I couldn’t help but think of the amazing music video, Thriller while watching it.  Michael Jackson specifically asked for John Landis to direct his video, who also did this movie, and a lot of the special effects looks the same, not a bad thing at all.  John Landis is also the father of Max Landis, a  film-maker who loves wrestling and made Chronicle as well as recently sold some spec scripts for a princely sum, kind of hard to do in today’s market.

But I digress.  This is a good film.  It’s not perfect, it’s not amazing, but I really liked it.  Again the dream sequences are my favorite and you haven’t seen it I’d say give it a watch.

3 skulls.


Andres Salazar is the writer and creator of the horror graphic novel series Pariah Missouri www.pariahmissouri.com

Previous Posts:

Horror Marathon Day 11: The Invitation

Horror Marathon Day 10: Cannibal Holocaust 

Horror Marathon Day 9: Monsters

Horror Marathon Day 11: The Invitation


Invitation (2015)

You can watch this bad boy on Netflix right now. Again, I went in without knowing anything about it.   Again, I like these small movies, it’s all in one house, must have been cheap to make, but really leaves an impact on you.  Great little film.

It is very tense, and you know since it’s horror the shoe is going to drop at some point.  But when??  The first 40 minutes and you are just waiting… what is going on?  Is this all up in this dudes mind?  

Then…  the cell phone call.  Oh CRAP!

This is a good film.  I kinda wish that things heated up a little earlier, but I think that last cat is still worth it, so just hang in there.  This is the type of film that would be EPIC if you didn’t know anything about it, just going in to a film, thinking it was a rom-com or drama, then BANG, crap hits the fan.  Really wish I would have seen it like that.  
Andres Salazar writes a horror graphic novel called Pariah Missouri, you can learn more at www.pariahmissouri.com

Horror Marathon Day 10: Cannibal Holocaust 

Horror Marathon Day 9: Monsters

Horror Marathon Day 10: Cannibal Holocaust


Cannibal Holocaust

Leave it to the Italians to show us the way on how to make horror.

A new movie came out in 2015 called Green Inferno, I decided to look into the original, called Cannibal Holocaust (1980) with the firm opinion that the original films are usually superior films, even if the technology feels dated.  General rule of thumb, if the movie is classified as a horror and made in the 70s it’s probably awesome.  Yeah we have fancier gadgets and can make things look shiny, but give me a good story over looks any day.  Yeah I’m looking at you Zack Snyder.

Cannibal Holocaust is on Shudder, the AMC produced streaming service for $5/month with ALL horror films and shows.  I said, what the heck, I’m doing a community service here, so I just bought into it for the month.

This is a true Grindhouse type of exploitation film.  Made by the Italians and banned by a number of countries, if you want to see something raw and visceral, this is it.  It’s NOT for the mainstream horror fans, and even the gore-fans that like all the Eli Roth fans might think it’s too much.  In it you will see real live animals killed (like they do in the real world jungles) so if that turns you off, don’t see it.  It’s part documentary, part found footage film.

They shot this in the Amazon jungles and used real indigenous people which is awesome.

I actually think this is a very good film.  It’s not Good fellas or anything, but for the genre, the time and subject, I think it nails it.  It has an unusual structure to it, with entering the jungle with a crew that finds footage from a previous crew of journalists and then we see the original footage and what dark fate befell them.  I think we might have spent too much time with the first team and maybe showed too much, but other than that it works..

If you like horror, I say go see it.  But again I warn you, there is real footage of animals getting killed.

Andres Salazar writes a horror graphic novel called Pariah Missouri, you can learn more at www.pariahmissouri.com

Horror Marathon Day 9: Monsters


When you get to direct a Star Wars movie it’s saying that A LOT of people and money trust you.  It’s a massive statement on your vision, management and ability.  Star Wars Rogue One is coming out and it came from this director.

I remember hearing about this low-budget film set in Mexico and I was very excited to see this new indie horror film.  It is a horror film, but only in the strictest of definition, there are monsters this is true, but they are in the periphery of the story and get little screen time , which for me is fine.  Don’t go into this thinking it’s Godzilla or a gore-y Cloverfield.  It doesn’t have 1/10 the action of Cloverfield, but I think in some ways it’s a much better film.

This is the type of movie that I love, what I’d want to make.  It’s a horror film, but only tangentially, there are few scares in it, but I love the concept.  Monsters, about a world where Mexico has been infected by an alien invasion and the US has built a massive wall to prevent contamination and two Americans as they try to cross the countryside to return home.  We see glimpses of the Cluthluean monsters on TV screens and in the background, but it’s not in your face horror.

I would love to learn more about the world and have a book series or TV show about this story.
Highly recommend it.

Andres Salazar is the writer and creator of the horror graphic novel series Pariah Missouri www.pariahmissouri.com


Horror Marathon Day 8: 1984


While this book is not traditionally considered a horror story, I believe is definitely is and we are talking about it today on the Horror Marathon month!

Ok, I am extremely late on the train on this one.  Most read this in high school, and for some reason, my class had to read The Stranger, which had no impact on me, and I couldn’t even tell you what it was about, while this book is damn near atomic in its physiological power it’s had over me this week.  Before you keep reading this, if you haven’t read this book, please go out and get it.  You can find it free at libraries, online PDFs, whatever, just go read it, it’s not long and it’s brilliant.

I’m going to talk about the book and the 1985 movie with William Hurt.  Anytime a writer creates a language for a book, you gotta give him props.  I love that there is this NEWSSPEAK and whole new system of speaking and thought.  It’s amazing.  This is where the book shines and while the movie hits the beats and gives great visual atmosphere and tone, you don’t get the beauty and craftsmanship of the language unless you read the book.  I will say one thing negative on the book is there here are good-sized portions of the book, where Winston is reading from THE BOOK, which can be a challenge, unless you enjoy Geo-political topics and sociology of the 19th century, as it reads very much like a text book (which it is supposed to.)

The thing is about this is that this author, George Orwell is that the man knew what he was talking about, he understood political systems, societies and class systems.  He also had an amazing understanding of psychology.

The main reason why the world at large still loves this book is that even though written in 1949, it feels VERY applicable to today’s challenges.

I think the movie does a good job of visually communicating the themes and feelings of the book.  If you want to see how the world probably will never be, but still terrifying, watch the film or read the book!

4 skulls.


Horror Marathon Day 7: The Blair Witch Project



I haven’t seen this film in about 8 years and I thought it would be a good to re-visit.  I still consider this a horror classic and generally this film is a polarizing film.  You love it or hate it.  Here’s why I think you should see it and what makes it a classic.

When this came out in 1999 I was in college, the marketing and buzz about this film was some of the first of it’s kinda.  Prior to the release they produced a make-documentary of the Blair Witch on TV, which added fuel to the fire of, is this real or not.  Imagine going to a movie where a good percentage actually thinks this is REAL.  That is insane. You just couldn’t do that now-a-days.  They were one of the first films to have a website, full of interviews, info, fake docu-stuff all to keep this mythos going, it was brilliant.

Found footage.  I love them, but I understand of the shaky cam bugs you then this it’s your bag.  This was one of the first found footage films.  It is still VERY effective.  Generally it all makes sense, who has the camera and why, and to me it’s scary.  Part of my reasoning is that I go camping alot to I know that feeling of being alone in the tent, hearing things outside and not wanting to go outside to investigate, all of that, I have personal experience with, so I get that terror.

I think the acting is actually good.  I’m not sure how much script there was, but I felt the dialog and characters were genuine, a real feat in a horror film.  Everyone acts rationally and yeah you kind of hate the girl, and I love Mike, some of his outbursts, it feels real, that totally sells the film again with this realism aspect they are going for.

Don’t see much.  You don’t see the badie really, you don’t have a lot of gore, you don’t need any of that.  It’s all in what you THINK you see and what you hope isn’t there.  Best horror films keep you guessing.

Ok, Blair Witch Project is a very good horror film.  If you haven’t seen it, go see it now.  If you have, and it’s been awhile, it’s a good one to re-visit.

4 skulls


Horror Marathon Day 6: The Exorcist.


I haven’t seen this in probably over 8 years, so it was good to see it again.  I have to say the cinematography in this is top freaking notch, I love the angles and lighting in this, it’s extremely effective.

We don’t talk much about the beginning, and it didn’t recall how long that part is in Africa.  This first section is classic, critical and brilliant, it sets everything up and William Friedkin is a genius.

This is one of those movies that was so powerful (like Jaws) it created serious phobias and future claims of exorcism and supernatural shortly after it came out.  So it’s an important film from that time period and definitely left a stamp on our social sub-conscience.

This is a great film.   So much has been said about it, and it’s in so many people’s top horror films, there’s a reason why.   So much to work with, these characters are engaging and you want to be with them more, except maybe Regan while possessed.  You have to remember that this film came decades ago, and so many other films and directors have been inspired from it, if you haven’t seen it you really need to as a horror fan.

Now for the ending discussion.  I saw some confusion about that online.  Father Karras is definitely a hero in this film.  He is a savior that sacrifices himself for the girl, the demon does not win in the film, good triumphs.

Now I want to go see The French Connection.

Andres Salazar writes a horror graphic novel called Pariah Missouri, you can learn more at www.pariahmissouri.com

Horror Marathon Day 5: Sharknado


Why do I do this to myself?  I don’t even know where to start with this one.  It’s definitely a 80s B with a capital B movie.

It starts off like a bad surf movie with bad acting, direction and photography.  The real magic here is the editing, he deserves a medal for combining 5 different films into this monstrosity.  There are shots that appear from a different film, it’s sunny (shot at Leo Carrillo) then other cloudy random shots of surfers, then crowd scenes that are at a different beach and time of day, and random inserts of real sharks from some documentary.  Movies do this all the time, but man it looks crazy because it’s so obvious.  I think this is a film you watch drunk with friends and laugh at it.

You know how this would be better?  If they used all physical special effects and animatronics.  You get 50 Bruce’s (Bruce is the nickname for the Jaws animatronic) and that I would see.  The digital effects are so bad, it’s really distracting, but then again, the point of a B movie is to make it cheap, so you get what you pay for.

Here’s the deal.  It is a film.  Many people worked hard on it and it took many hours to make.  People got paid.  I can’t hate on any of that, but I’d like to think of this more as a student film, and thinking of if from that perspective it’s fine for what it is.

Also, what’ with the color timing on this thing?  It has a constant blue filter that is annoying.

Ian Zering and Tara Reid do their best, but this is all about Sharks in a freaking tornado, so that’s what we come to see and we get that much at least.  My main gripe is that I wish the effects were better, then I could at least enjoy that.

There is a ending, crazy action thing that happens with a chainsaw that was too much for me, at least they single-handedly saved the fake blood industry for 2013.  I just looked at the rotten tomatoes score…. 82%.  I am officially depressed.

Ok that’s it, I’m finding some good horror movies to watch for the rest of this month!


Horror Marathon Day 4: Theater of Blood

51ffg0ddm2lTheater of Blood

Today we will be talking about 1973’s Theater of Blood.  Vincent Price, one of horror’s greatest actors is the main character in this film, and it is completely all Vincent Price.  It’s very 70s, with the music and staging, I feel that today’s audience would definitely consider this a campy-horror film, which I’m not sure that it was considered campy at the time.  It plays a little comedic, not as dark as the Hammer films that Vincent would star in and that’s not a negative, just a different flavor of horror.

I think there are some good moments in it, it’s not the gasping, dark, evil horror that we are used to, it’s really a look into how the authorities catch Mr. Price, who we know right in the beginning is the Shakespearean-aficionado killer.

I like the idea of a killer who disguises himself as a theatrical actor, and Vincent definitely hams it up and delivers.  It’s hard to say that it’s too hammy of a performance, because the part he’s playing is of a hammy-actor, so maybe it’s just perfect.  I love that he has this crew of killer-thespians too, I’d love to see them in a “dress rehearsal” planning out the murder and what costumes, blocking and lines to give the next intended victim.

As a guy who fenced in high school and college a little, it was great to see a fencing scene!  Can’t beat that.

I also love the concept of a guy hell-bent on making the critics who give him bad reviews pay with their lives!  This is screaming for a re-make but with a completely different tone, go full-dark and straight with this and it would be a hit.

If you want to see what V. Price was all about, watch this one.

Andres Salazar writes a horror graphic novel called Pariah Missouri, you can learn more at www.pariahmissouri.com

Horror Marathon Day 3: Day of the Dead


Not everything this month will be new, I gotta go back to some of the classics, and tonight it was Day Of the Dead.  While not as beloved as Dawn of the Dead, no mall scene here folks, but I think there’s more commentary and interesting ideas here than his other films.  I am going to attempt to only review 1 zombie movie this year, and this is it.  I might break my rule, but I’m making it because I’m a little over o the zombie genre, even with the ideas of making the zombies a comedy, romantic, and all that other hog-wash.  There is only one way to make a zombie film for the zombie purist and that’s the Romero Way.

The special effects and make-up STILL look great!  Can you believe it?  I’m watching this on Hulu, and I’d love to see how a blu-ray version looks.

We delve more into this idea of memories and domesticating the zombies.  Bub is our first zombie hero, and Romero even gets the audience to sympathize with the undead.  There’s been tons of writing about what the film is saying and I won’t go into all that here, the social commentary is pretty close to the surface.

We also have some interesting, all be it 2-dimensional characters in this film.  The bad guys (ie military) are bad, but they kinda have a point, and the scientist is definitely deranged.  I can see the Walking Dead coming from this world, where the zombies are just a part of the world, like the sun and moon, the seasons, but the threat and conflict is mankind.  That’s what we have here in this film.  We have some characters trapped in a confined space, with a timer that will go off, the bomb being the zombies getting loose.

If you haven’t seen it, go do so, it’s one of the best zombie or horror films out there.  It’s classic, the make-up is still amazing and some great moments.

5 skulls.

Andres Salazar writes a horror graphic novel called Pariah Missouri, you can learn more at www.pariahmissouri.com


Horror Marathon Day 2: Knock, Knock


Knock, Knock

Consider this a public service I give to the community that I have seen Knock, Knock so that you don’t have to.  When I do this 31 horror movies in Oct, I try to stay pure and not learn too much about the film.  I knew that Keanu was in it and Eli Roth was directing, that’s about it.  I barely made it through the movie and really wanted to stop it many times, but I didn’t want to have to re-start a new movie, so I just went to the end, and man was it a struggle.

If you want to see a man get raped, and tortured for over an hour to two beautiful yet it every way despicable women then go for it, but just remember, I did this so you don’t have to.

There was a MUCH better version of this story called Funny Games, which I think is brilliant and horrifying.  This just isn’t that.  If it was a 20 min short, maybe it would be interesting, but man does it go on and on.

I should have known with Eli Roth at the helm.  I just can’t get into his films, he has a taste and interest in horror that is a different spectrum than myself, and he knows how to make films, I just don’t like the stories he tells.  This is one of those well made movies that shouldn’t have left development, but I imagine the cost was low and so what the heck, right?

I just can’t figure out why someone would want to watch a movie about 2 evil bitches.  Even Jason Voorhees has some redeemable qualities (go to my Friday 13th post about those).

I’m also offended by this movie one two more points:

1. How dare you Eli use the Pixies in the soundtrack for this movie?  A crappy movie like this should not get the rights to use the Pixies.

  1. Eli is missing a BIG element to the horror genre, we need to get satisfaction!  I’m not saying that the good guy must win, but dude, we can’t watch for 90 minutes our protagonist get abused and then the evil bitches ride off into the sunset without a scrape, that’s just not the way it’s done.

There you go.  I’ve spent enough time on it.  Knock, Knock.  Save yourself and don’t open the door.
Andres Salazar writes a horror graphic novel called Pariah Missouri, you can learn more at www.pariahmissouri.com

October Horror Marathon – Day 1 The Witch


Ok, boys and girls, it’s that time of year again. and we are starting this off, with a good horror film.   I’ve been doing this for 4 years now, everyday in the month of October I watch and review a horror movie.  Most of these are older films or things that you can find online.

Day one…. The WITCH

I knew nothing of the movie, and super glad that was the case.  I went in, watched it on AMAZON PRIME and start to finish this is a good horror movie.  I love period stuff and things that have actors caked in layers of fake dirt, so in the first couple of minutes I was in.  Then the language came in, I love Old English and antiquities languages, if I learn take a class in Latin I would, so I really enjoyed that part of it too.  No hollywood-ization here, it’s raw, it’s accurate and feels authentic.

As for the plot itself, I was intrigued, we knew that there really was a witch, but we were kept guessing if someone in the family was working with her.  Loved that.  Also some great imagery and horror elements that we haven’t seen much of and THAT is hard to do.  I always like it when we are surprised by something.  (That crow part with the mom was great.)

Acting was top notch, and that blonde girl, the lead was perfect.  I dug it.  Totally recommend and say, go see this!  One of the best in the last couple of years.  No joke.
Andres Salazar writes a horror graphic novel called Pariah Missouri, you can learn more at www.pariahmissouri.com


T.I.M.E Stories : Pariah Missouri (FINAL version) free to all backers!

timestores pariah

So you wanna play-test Pariah, Missouri?


A couple of things first.

  1.  I am running a Kickstarter for the Graphic Novel of Pariah Missouri, a weird-western Occult story set in Huckleberry Finn time.  All Backers will get a PDF of these cards to print at home and play, you will need to print out, put them in a stack and run through the game.  You can be a backer for as little as $1.00
  2.  It took me about 80 hours to do this, NOT including all the art, which came from my comic book series, which I don’t even want to speculate on how long that took us.  So, a lot of time, blood, sweat and tears went into making this.   www.pariahmissouri.com
  3. This is the FINAL version, I already did a LARGE playtesting and this is it, it’s been corrected and streamlined.  
  4. You don’t need to know the comics to play the game.  But I will plug the book and say it’s very well done, and if you like good stories, you might enjoy it.

On the kickstarter page you can also download for FREE preview pages of all the books, 1,2 and 3.  Please take a look and see what we are doing there!

T.I.M.E.Stories is a board game published by the French Space Cowboys which I have fallen in love with recently.  As a big-time Role-player I found the board game a brilliant way to tell story, and for me, that is always paramount.  It’s Quantum Leap, going back in time and finding the cause of a ‘temporal rift’ and correcting the wrongs of the time-stream.  You play an Agent of this ‘Temporal Police’ and inhabit a character in the past, who may or may not be all that stable.

Because of the way the game is played, you play the game once, and then you know the mystery, the “who-done it” and it’s kinda over.  Sure you can play it with others, but now that you know that Colonel Mustard did it in the Library with the pipe, it loses the excitement.  So it’s a one-and-done experience, which at $30 for each story can be pricey.  Space Cowboys have published 3 stories so far and looks like each quarter we will get a new one…. but this is where the fun begins…. Space Cowboys also provided a Developer kit. Nothing fancy really, it’s just a collection of PNG asset files so you can make your own story, but think about it, how many awesome stories are out there for creators to make and play!

Once I heard about this, I was hooked.  Oh and for those that don’t know, I’m the writer and creator of Pariah Missouri graphic novel series, so HELL YEAH I’m gonna make a horror-western story for TIME Stories using my book!

Making this was no easy feat, and even though I have a bunch of art that I can re-purpose for the game, TIME Stories is a huge mind puzzle and as the puzzle-maker I need to know how this all works.  I created a new story, figured out how all the locations worked, all the items and characters.  Building this becomes very complicated, because there are certain events that must be triggered at the correct time.  After over a month of working on it, I think I have it ready for play-testing and then after those re-visions I’ll be shipping this game off to France to have Space Cowboys have a go at it, and maybe they like it enough to publish.  Either way, though I will be providing it for free here on my site for those fans of the game and my books.

Selecting puzzles that are both fun and solvable is the most challenging aspects of this game design.  Even if you think it’s too easy, most likely it will not be.  Also the types of puzzles to use; word, visual, numerical, riddles, all that has to be figured out, and hopefully make sense in the story.  The year is 1854, so I’m not throwing in a scrabble or computer code puzzle, it’s gotta fit the time and make sense for the story.

13072654_10154162337505970_593588371265419260_o IMAG0111 (1) IMAG0110 (1)

Here is the Link to the Kickstarter and get your copy of TIME STORIES: Pariah Missouri

KS HC facebook -16


If you are experiencing questions about Rules, Locations or things like that, go here to the FAQ Message board!

Pariah, Missouri Rules and FAQ





San Diego Comic Con 2016 Wrap-up.

For the last 5 days I’ve been at San Diego Comic Con and now that it’s over, I’m surrounded by piles of business cards, hand-outs and comics and today I’m going to share a little of my thoughts.  For the last 3 years I’ve been an exhibitor at SDCC in the Small Press area.  (Which you can read here: http://decadebrothers.com/2015/07/14/sdcc-wrap-up-a-small-press-perspective/  )  This year I wanted to change it up a little, and apply for a Professional badge, mainly because I do not have a new Pariah Missouri graphic novel out this comic con.  Book 3 will be ready later in the fall, and I didn’t want to go to the show with the same books back-to-back, even though a healthy portion of my sales is original art.

I was really looking forward to being free from my 6-foot booth/cage this year.  I had planned a ton of panels and people to see, art to study and a good amount of just seeing what Comic Con has to offer now.  I arrived in San Diego on Wednesday afternoon, and first thing to find was that parking prices increased.  $50 for 12 hours was way too much for me, and I swear that each year they raise it by $10.  My first year at Comic Con in 2000, I parked across the street in a lot for $5.  I didn’t have a hotel, so we slept in the car!  Yeah I wouldn’t do that again, but those were the days.  So I parked on 20th and Island, a neighborhood that was a little salty.  It was a good 20 blocks away, which was a hike, but on the 2nd day I decided to take an Uber for $6 which was a lot better than $50.


Preview night was great, did some shopping, met with a few people and prepped for the weekend.  It’s a great couple of hours to scope everything out, see where people are and plan.  At night I stayed in a motel in Chula Vista and took the Trolley a couple of those days, which for $5 round-trip was a pretty good deal.

I won’t go through each day, but I’ll hit some of my highlights and thoughts.


Portfolio review:  I’ve been going to Portfolio Reviews for many years.  Not so much when I’m an exhibitor but I try to hit them up for 2 reasons, 1 to find collaborators who want to work on new projects and 2. to talk to people who are hiring creatives to see where I fit with the needs of the market.  My first portfolio review, in the early 2000’s Dark Horse comics were there, and I felt that it was legitimate.  The artists and writers were right on that level of about to get jobs, ready to work professionally.  This year I can’t speak to people’s artwork, but I can say that the companies that are looking at these portfolios are the very same ones last year and the year before that.  There are some big names, like Hasbro, Lego, etc but not any big comic book folks, a couple of small press guys and honestly I wasn’t impressed.  I’m sure it is worth it for some and that good business happens there, but waiting for 1-2 hours for a 5 minute talk with a sketchy company, nah I’ll pass on that.  I did speak to 5 or so companies at the review, but I was very picky and even then I was wondering if it’s worth it.  That all said, for scouting out artists to work with I think it’s a great place, all these guys want to work in comics, so it’s great, in fact that’s how I met Jose Pescador the penciler for Pariah Missouri.

Panels:  Thursday and Friday were my big panel days, but towards the end, either things didn’t interest me, bad timing or I just felt that the info at these panels are light.  After years of these panels there is only so many times you can hear about how someone broke into the business.  Maybe the panels that are more introspective on a creator’s career or the more entertainment style ones are better, but the “business” ones are quite dull and rarely give good information.  I have heard that the legal panel is good, which I unfortunately missed.

Having a professional badge, I thought that I would be free as a bird, be able to do everything I wanted to with time to spare but boy was I wrong.  With everything going on outside, the other hotels that have events and the show floor, you just can’t do it all.  By Sunday 3pm I felt I did what I needed to, but there were still areas that I didn’t get to.

50-cent long boxes?  Done away with!  I saw only one vendor with $1 comics everyone else sold either trades, or the Bronze, Silver age comics.  No more bargain 25-cent,50-cent bins.  Too bad, I miss those days.

I spoke to fans, publishers and other creators, but talking to editors seems to be a challenge.  It’s like asking that cute girl out, and I always feel like I am intruding and there is a wall up.  I think editors are people too and great people to work with, but the circumstances of comic con and approaching some is a big challenge for me.

Highlights:  Seeing original Frazetta paintings and pen/ink work was amazing!  I saw original Robert Fawcett, Noel Sickles, Alex Ross, Wrightson, all these masters that you can look at and study.  That for me was the best.

IMG_20160720_164928 IMG_20160724_094057 IMAG0414 IMAG0400

I never knew that Charlie Adlard worked on the Walking Dead in a smaller size.


Alex Ross’s air-brushing and watercolors are really exciting to see in person.


Artist Noel Sickles, one of my all-time favorite illustrators!  This was priced at $600.

Talking to fellow creators.  I spoke at length with Jose Villarrubia, with I was very excited about, his coloring is an inspiration for my book.  We talked about his process and I have some new ideas about how to color Pariah book 3.  Meeting the greats and seeing the originals is so fun for me, as a fan of the art form.

We played some Werewolf one of our big annual events.  We do this every year and it is always a blast to get back together with old friends and make new ones at Comic Con.



The Creator Connection event was a great experience.  Think of it as speed dating for artists and writers.


San Diego Comic Con 2016 was an experience.  It was worth the effort and for someone in the business or wanting to, it’s a must.  Now I have to get to my long list action items and follow-ups that came from it.

If you want to learn more about my work and Pariah Missouri, please check out http://www.pariahmissouri.com

Feel free to share this post with others!


3 Ways to Help a Kickstarter without spending money


So your friend or family member is flooding their Facebook feed with posts about their Kickstarter. Maybe you’ve already pledged, or maybe you just can’t afford to chip in at the moment. You want to help out but you’re flat broke!

Here are three ways to help at little cost to nothing.


Crowdfunding is really a numbers game. It’s all about generating enough small pledges to meet the funding goal. This can only happen by getting the project in front of as many eyeballs as possible. By sharing the link to your favorite Kickstarter campaign, along with other content related to the project (posts, photos, etc.) you are contributing in a big way to it’s success, allowing people outside the creator’s network to learn about the project.


One of the greatest boosts a campaign might get is to become a Featured Project or Kickstarter of the Day. A project which has a lot of social media buzz has a better chance of getting the attention of Kickstarter staff, thus a good chance of being featured. Each time someone mentions Kickstarter on Twitter or tags them on Facebook in a post related to a project, it increases the chance of Kickstarter taking notice. So when sharing your favorite project don’t forget @Kickstarter!

Also, if you feel passionately about a particular project, you may email Kickstarter directly at stories@kickstarter.com to tell them makes this project special and why it should be featured.

Finally, you may also post on the Kickstarter Facebook page.


Comment, Like, Share, ReTweet, etc. Similar to number 1, engaging is just as important as sharing. By commenting or Liking posts on Facebook and Twitter, etc. you help make those posts more visible. When commenting, ask questions, especially of those who reply to your comments. This encourages the thread to keep going and increases its visibility.

If you’re not completely flat broke…

Maybe you have a few bucks in your bank account. Maybe you were planning on buying a burger at your favorite fast food joint. Maybe instead of supporting a giant soulless corporation, you drop those few bucks into an independent Kickstarter project. Now you’re a Backer, but maybe you feel awkward about telling anyone. Let me give a reason to share that fact with your social network.

When you’re a Backer, Kickstarter gives you the option to Share that fact with your Friends and Followers on Facebook and Twitter when you finish your initial pledge. They also send a notice via email to all your Followers on Kickstarter (Surprise, Kickstarter is a Social Network too!) When people see a project being supported it hooks their interest and encourages them to support it too. The more support a project has, the more likely it will meet or exceed its funding goal and the higher chance you have of actually receiving that reward you pledge for.

I might also note that you may pledge for as little as a $1.00 even if there is no reward at that level. Remember, every pledge counts. The more Backers a project has increases the chances of the it being noticed by Kickstarter and getting featured.

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